高清

荣耀六十年

8.3

类型：动作地区：中国香港年份：2023 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：石晨,达妮埃拉·巴博萨,章谒

上次更新：2025-02-03 00:01:07

立即播放收藏

正片

剧情介绍

《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

养只猫挠你:刚刚

2015年1月18日，第四届北京国际微电影节闭幕式暨颁奖典礼在北京国际饭店圆满落幕。
云里鹿:7分钟前

惠惠气急败坏地看着一切，正好我回到家里，她对着我大哭大吼：“你再也不许出差了，这样下去，家已经不成家了。
凹凸蛮:3分钟前

约翰逊的双亲在丹麦相遇，当时她的母亲与父亲多罗锡 (Dorothy)住在一起。
飘l柔:9分钟前

“不要温和地走进那个良夜白昼将尽，暮年仍应燃烧咆哮怒斥吧，怒斥光的消逝”……听着里的老头子。
三两小米酒哟:9分钟前

在韩国的相关比赛规定里面明确提出了一点，就是在对局的时候双方不得有故意操纵胜负的行为，也不得进行冒名顶替，在比赛中更不允许造假。
逍遥666:6小时前

慢慢的，Hope将Maggie引向歧路，因为只有自己才能是这个小镇真正的明星，而她在今后所能做的就是捍卫自己小镇霸主的地位。
一盏江湖:7小时前

重获自由后，泰锡乔装打扮化名大石，并网罗了身处底层的宫秀、主（安圣基饰）、许木匠等人组成各逞所能的团伙，发誓要向残害了他们兄弟的吴社长（李凡秀饰）及其围棋诈骗团伙展开复仇。
娘城:4小时前

lone survivor(孤独的幸存者)，推荐看一看，2013年的，根据真实故事改编，讲的是一个美国大兵被阿富汗人舍身相救的故事。
神经小条:2小时前

老实过头确实有点呆的诺维尔开始推广他的“小发明”——呼啦圈，谁知一发不可收拾，呼啦圈成了当年最流行的休闲玩具，公司的股票也直线上升，诺维尔成了一个金融界的“明星”。
白明静:1天前

阿甘成为橄榄球巨星、乒乓球外交使者、亿万富翁，但是，他始终忘不了珍妮，几次匆匆的相聚和离别，更是加深了阿甘的思念。