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镜子的另一面：纽波特民歌艺术节1963~1965

6.2

类型：喜剧地区：德国年份：2016 语言：中字

主演：Bob Dylan Joan Baez Judy

导演：杰克·皮克金,玛拉雅娜·迈雅拉,Bridie

上次更新：2025-01-11 08:34:38

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剧情介绍

《镜子的另一面：纽波特民歌艺术节1963~1965》影片介绍:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon"workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including"Mr. Tambourine Man" and"It Ain't Me, Babe") sees him moving away from the"protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal"Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs"Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of"Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing"Mr. Tambourine Man" and"It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the"old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.... 《镜子的另一面：纽波特民歌艺术节1963~1965》影片介绍:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon"workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including"Mr. Tambourine Man" and"It Ain't Me, Babe") sees him moving away from the"protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal"Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs"Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of"Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing"Mr. Tambourine Man" and"It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the"old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.... 详情

影片评论

赵偏北:刚刚

巾帼不让须眉的吕乐（陈乔恩饰）决心寻找一位英雄依傍，而恐武豪爽的云狂（明道饰）无疑成为令她倾心的英雄。
奔跑的牛肉面:分钟前

查理克洛克（马克沃尔伯格饰）和他的搭挡老约翰、史蒂夫（爱德华诺顿饰）都是盗窃高手，身手不凡，技艺高超。
风侍葬:8分钟前

在2001年电视剧里成功塑造了白景琦之后，陈宝国的演艺之路便如日中天。
小小小天行:7分钟前

记得里面是用武力去征服一个坐骑，带有攻击性的，展示了英勇的一面。
小小牧童:8分钟前

当时带来的广告是卡西欧电子表，随着日本动画片的万人空巷，卡西欧在中国一举成名。
欧小龙:8小时前

在这些内容背后，更是编剧和导演对人性、法律以及社会阶层的思考。
卧底吃鸡:9小时前

场面很血腥，然后这一男一女都被怪物拖进了沙子里，连根毛都不剩。众人这才明白过来原来其他小伙伴不是先行离开了，而是被沙子吃了。
看见马蜂窝:小时前

该片讲述讲述了一个男子带着两百万美金偷渡到墨西哥小镇阿吉哥，引来一场疯狂追杀的故事。
山城隐客:小时前

16岁时偶然间救了一名青年，自此情窦初开的她，决心进入电影界，远赴满洲拍片并同时展开寻人之旅，一心期待与他重逢的日子快点到来……立花源也/60岁莲花电影公司的负责人，他也是藤原千代子最忠实的影迷。
鸾月:1天前

长相清纯的陈旭曾在中也有过精彩的表现，而且他的演技也得到了多数人的认可，在本片中陈旭的完美的演绎了从城市中刁蛮任性的大小家到乡村最美农村教师的转换，可谓是让观众眼前一亮。